翻訳と辞書
Words near each other
・ Auguste Stéphane
・ Auguste Taton
・ Auguste Taveau
・ Auguste Tessier
・ Auguste Thijs
・ Auguste Théophile Léger
・ Auguste Tilkens
・ Auguste Tolbecque
・ Auguste Toubeau
・ Auguste Toulmouche
・ Auguste Toussaint
・ Auguste Trémont
・ Auguste Vachon
・ Auguste Vacquerie
・ Auguste Vaillant
Auguste van Biene
・ Auguste Veillon
・ Auguste Vestris
・ Auguste Victor Louis Verneuil
・ Auguste Villiers de l'Isle-Adam
・ Auguste Vincent
・ Auguste Vinchon
・ Auguste Vinson
・ Auguste von Harrach
・ Auguste von Littrow
・ Auguste von Müller
・ Auguste Walras
・ Auguste Xoagus
・ Auguste Édouard Cerfberr
・ Auguste Étienne François Mayer


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Auguste van Biene : ウィキペディア英語版
Auguste van Biene

Auguste van Biene (16 May 1849 – 23 January 1913) was a Dutch composer, cellist and actor. He became best known for his composition ''The Broken Melody'', performed by the composer as part of a musical play of the same name.
Van Biene grew up in Rotterdam and displayed a musical interest as a youth. After some private studies with Adrien Francois Servais at the Brussels Conservatory he moved to London to seek work as a performer. Van Biene was discovered by Sir Michael Costa, who hired him to play the cello in his Covent Garden orchestra in November 1867, eventually promoting him to principal cellist.
In 1878 van Biene was a touring musical director for Richard D'Oyly Carte's Comedy Opera Company, and in the 1880s he conducted successful light operas and Victorian burlesques. By the 1880s he had also become a theatrical manager as well as an actor and playwright. As a cellist he was invited to be an examiner at the Royal Academy of Music in 1884. In 1892 he commissioned, wrote the score for, and starred in a musical play, the highly successful ''The Broken Melody'', in which he toured for many years. He died on 23 January 1913 while on stage at the Brighton Hippodrome.
== Early life and career ==
Van Biene was born Ezechiel van Biene, in Rotterdam, the son of an actor.〔Neece, Brenda. "Magician of the Cello", ''The Strad'', October 2001, pp. 1102–1104, 1107 and 1109〕 His parents were Joseph Abraham van Biene and Eva (née van Norden).〔(''Ezechiel van Biene'' ) on Geni website, accessed 10 March 2015.〕 He showed a musical talent at an early age and studied the cello with Adrien Francois Servais at the Brussels Conservatory. In 1864 he began playing as a section cellist with the Rotterdam Opera House Orchestra. Three years later, when he was 18, he moved to London to seek work as a performer.〔("Auguste van Biene, cellist" ), cello.org, accessed 14 September 2014.〕
Van Biene found life as a young musician difficult, and he lived for several months in poverty, busking on street corners to pay for rent and food. His fortunes changed when Sir Michael Costa heard him performing on the street in Hanover Square.〔"Auguste van Biene", ''Sunderland Daily Echo and Shipping Gazette'', 28 April 1900, p. 4〕 Costa was so impressed that he hired van Biene to play the cello in his Covent Garden orchestra in November 1867. Over the next 10 years, van Biene performed as the cellist for many different orchestras and eventually became the principal cellist in Costa's orchestra.〔 He never forgot the help Costa had given him, and for the rest of his life he marked the anniversary of their first meeting by playing in the streets of London's West End, raising money for performers' charities.〔Horrall, p. 14〕〔"Sudden Death of van Biene", ''Cornishman'', 30 January 1913, p. 6〕
Van Biene soon earned enough money to buy a cello from the Italian cellist Alfredo Piatti, which he used until 1905. He learnt to conduct and to direct theatre productions. In 1878 he succeeded Hamilton Clarke as musical director for Richard D'Oyly Carte's Comedy Opera Company in touring productions of ''The Sorcerer'' and ''H.M.S. Pinafore''.〔Rollins and Witts, pp. 29–30〕 Carte's former co-directors of the company mounted a rival version of ''H.M.S. Pinafore'' in London for which van Biene was the conductor, and which lasted 91 performances.〔Rollins and Witts, p. 6〕 He eventually formed his own opera company, and by the 1880s he had become a theatrical manager as well as an actor and playwright, writing and performing under the name "Henri Tempo".〔 Among his successes as manager were provincial tours of English adaptations of light operas, such as Farnie and Chassaigne's ''Falka'', and Victorian burlesques, such as Lutz, Sims and Pettitt's ''Faust up to Date'' and ''Carmen up to Data''.〔"Mr. Auguste Van Biene", ''The Times'', 24 January 1913, p. 9〕 As a cellist he was highly enough regarded to be invited to be an examiner at the Royal Academy of Music in 1884.〔"Royal Academy of Music", ''The Times'', 22 December 1884, p. 13〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Auguste van Biene」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.